I’m Scott Choucino, a high-end food photographer in London, and I make food look so good it’s slightly unfair on everything else in the aisle. My work is bold, graphic and colourful, with a big helping of playful nostalgia. It’s always properly made: real food, built sets and lighting that’s been sweated over.
For over 15 years I’ve shot commercial food and drink photography for everything from a start-up’s very first shoot to worldwide campaigns. I shoot stills and motion, in my own studios or on location, across London, the UK and abroad. I’m represented worldwide by Agent At Large.
A commercial food photographer for brands that want to stand out
Some briefs need a clean, straightforward product shot. Others need something with real production value behind it: bespoke sets, considered lighting and a level of craft that reads instantly as premium. I do both. This page is about the second kind, where the photography isn’t just showing the product but carrying the brand’s positioning.
Brands and agencies I’ve worked with include Kenvue, PepsiCo, Doritos, Dolmio, Papa Johns, KFC, Greggs, Cathedral City, Ben’s Original (Uncle Ben’s), McCain, Jacob’s, Iceland, Ocado, Gopuff, Babybel, Hippeas, Wafflemeister and Deli France. I’ve also shot for the BBC, The Times, Guardian Food and Virgin Media.
Food photography services
Advertising and OOH campaigns
National and out-of-home work where the image has to hold up at billboard scale. I work with agency creatives from mood board to final retouch, so the idea that was sold to the client still works as a photograph.
Packaging and pack shots
Hero shots for packs and ranges, where colour, consistency and accuracy matter as much as appetite appeal.
Hero food and macro photography
Stretching cheese, glossy drips, crunchy textures and close-up macro work that makes people want to lick the screen. (Please don’t.)
Social-first food content
Scroll-stopping stills and short-form content built for social from the start, not cropped out of a print shoot as an afterthought.
Food and drink motion
TV and online commercials, social films, pack-in-motion, time-lapse and stop motion, all shot alongside the stills.
Drinks
Food rarely turns up on its own. I also shoot drinks: pours, splashes, ice, fizz and condensation. See my drinks photography.
Who I work with
Brand and marketing managers
You need imagery that sells, lands on time and makes your product look like the best version of itself. I’ll help shape the brief, keep the production in proportion to the budget, and deliver files for every channel you need, from packaging to paid social.
Agency art directors and producers
You need someone who shoots to the brief and protects the creative you’ve already sold in. That means pre-production calls, agreed shot lists, approved test lighting before the real shoot starts, and the flexibility to problem-solve on the day when a concept doesn’t quite translate from paper to plate. There’s more on how I work with advertising agencies.
Start-up and challenger brand founders
Heroing a brave start-up is some of my favourite work. Lots of my clients are challenger brands who need to look bigger than they are, and a strong set of images can do a lot of that heavy lifting. I’ll help you work out what you actually need so you don’t pay for what you don’t.
Selected case studies
Cathedral City: national billboard campaign
Briefed by Otherway, this campaign paired cheese with macro food photography for a national out-of-home run. The imagery had to be sharp and considered enough to hold up at billboard scale. Read the Cathedral City case study
Kenvue: global rebrand photography
Photography for a worldwide rebrand covering household health brands including Calpol, Listerine and Neutrogena. It was produced with Agent At Large, ARWEC production and stylist Ambra. Read the Kenvue case study
Wafflemeister: bold and colourful waffle photography
A full production built around colour, texture and food styling craft, with food stylist Christina Murray, prop stylist Karen White and retoucher Robert Gurney. Read the Wafflemeister case study
How a high-end food shoot works
- The brief. Tell me what you’re selling, where the images will run and any references you love (or hate). I’ll ask lots of questions, then my agent or I will come back with a quote.
- Pre-production. We agree the shot list or storyboard, and I pull together the right team. That can include food stylists, home economists, prop stylists, set builders, set designers, DOPs, digital techs, retouchers and assistants. For bigger jobs, you’ll see the plan well before the shoot day, so there are no surprises.
- Shoot day. Lighting and test shots are approved before we start the real thing. You’re welcome on set, or I can send selects through the day for sign-off.
- Post-production and delivery. Retouching, and for motion an edit and grade. Everything is delivered in the sizes and formats you need, from print-ready large format to social cut-downs. Typical turnaround: [placeholder: typical turnaround time].
With 15+ years behind me, there aren’t many scenarios I haven’t come across, from shooting in five countries in a week to building custom studio set-ups for time-lapse and stop-motion food and drink video.
My food photography studios: London and Leicester
I shoot from fully equipped studios in London and Leicester, both set up for bespoke builds. My food and drink photography studio in London, just outside central London, has high-end cameras and Broncolor lighting. It also has an in-house editing suite, prop storage and a wide choice of backdrops.
My Leicester photography studio has 14ft ceilings, two loading bays, parking, a food photography kitchen and a prop house, which makes it ideal for big, messy set builds.
Both studios have a full grip package, high-resolution view cameras and an extensive prop and background store. If it’s easier for your team, we can also hire a studio close to you, whether that’s South London or the outskirts of Paris.
Stills and motion from one shoot
I also work as a food and drink videographer in London. Shooting stills and motion on the same day, with the same crew, keeps costs down and keeps your visuals consistent across every channel. I shoot 6K raw slow motion as standard, and for precise, repeatable camera moves I offer motion control for food and drink commercials.
Why work with me
- A distinctive style. Bold, graphic, colourful and a little bit cheeky, so your product doesn’t blend into the shelf.
- Proper production. Broncolor lighting, bespoke sets and a big address book of trusted crew.
- One team for stills and motion. Fewer suppliers, fewer handovers, one consistent look.
- Agency backing. Agent At Large can handle budgeting, scheduling and full production logistics.
- Scale up or down. From a start-up’s first shoot to national and global campaigns.


Food Photography and Drink Photography Clients I have worked with
Iceland
Papa Johns
Dolmio
Uncle Bens
Doritos
Ocado
Deli France
British Pepper And Spice
Seeds Of Change
Askeys
Crave Pet Food
Nutro Pet Food
James Wellbeloved Pet Food
Symmingtons
Nutri Bullet
Quadrapan
Pressure King Pro
BBC
The Telegraph
High Street TV
Thermapen
Tether Tools
Specsavers
Virgin Media
British Airways
Land Rover Experience
Jones Bootmakers
Lands End Clothing
Premier Drums
Fiona Cairns
Everards
HRG
ESL Gaming
The Fire Service
Hollandse-Hoogte International Photographic Agency
Silver Lake Archive
The Flash Centre
Fstoppers